Nigerian Afro-pop sensation Yemi Alade has history with the Grammys. She’s featured on a Grammy-nominated album by Beyoncé and a Grammy-winning one by Beninese-French star Angelique Kidjo; but despite her popularity in Africa and her multilingual songs, Alade has yet to win a solo Grammy.
On February 2, that could change, with her song “Tomorrow” nominated in the Best African Music Performance category.
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“Tomorrow” features on Alade’s sixth studio album “Rebel Queen,” which the Recording Academy said “solidifies her reputation as “Mama Africa” — the title of a previous Alade album and a term associated with iconic South African singer Miriam Makeba.
Alade first found fame with her 2014 single “Johnny,” which in 2019 made her the first Nigerian female artist to hit 100 million views on YouTube. She has also recorded the song in Portuguese, Swahili, and French.
She was inspired to record the French version by hearing her francophone African fans singing it word for word at her shows and thought that would show them her appreciation. As she began to tour Europe, she recalls the song became one of the pillars of her career.
“My own superwoman”
Alade was born in Abia State, southeastern Nigeria, to a Yoruba father and an Igbo mother, and historically, “intertribal relationships were frowned on,” she explained. As a teen growing up in Lagos, she and her friends were also immersed in African American culture listening to rap music and making mix tapes. That context played a key role in Alade’s development as an artist and intentionality became paramount, from her lyrics to her album titles.
“King of Queens,” “Woman of Steel,” “Mama Africa,” “Empress”, and “Rebel Queen” all speak of her struggles as a female artist in the industry, women’s empowerment and the unification of Africans across the world.
“I needed to be my own superwoman. I think that spirit became what you see today,” she said.
Rebel Queen mixes genres like R&B and pop with dancehall, highlife, and amapiano, with Alade singing in English, French, Igbo, Yoruba, and Swahili. It is the climax of a decade-long musical career that has taken her on a rich cultural journey.
“My love for Africa just genuinely grows,” she said. “I do not do this with an agenda. When I travel, I see the different cultures, I easily accept it, appreciate it, from the food to the language to the way of life. In every country I go to there’s something that’s culturally appealing.”
Staying independent
Alade has become known as a champion of African culture and for her international collaborations. She featured in Beyoncé’s 2020 musical film and visual album “Black is King,” and on her song “Don’t Be Jealous” from the album “The Lion King: The Gift.”
New album “Rebel Queen” features Ziggy Marley on the song “Peace and Love” and Kidjo on “African Woman.” The latter, Alade says, was one of the most challenging and fulfilling songs to make because she got to know one of her heroes even better, describing Kidjo as “my musical mother.”
Despite her growing success, Alade has chosen to remain independent, working with the same management team for over a decade in the music industry and recording with Effyzzie Music Group, rather than a major label.
“Other labels have made offers and we haven’t accepted, not because they’re not good enough. (But) if your goals are not in alignment with the goals that I’ve set for myself for over 10 years, then we should not be in the same boat. If you have a team of two people, trust me, that’s all you need,” she added.
